dolorosa_12: (fountain pens)
This weekend feels more efficient than others so far this year — I've done almost everything I wanted to do, and it's only 1.30pm on Sunday!

Every year, I know this specific [community profile] snowflake_challenge prompt is coming: In your own space, create a fanwork. And every year, I swear I'll start working on something so that it will be ready to post by the time the prompt comes around, and every year I end up being completely unprepared.


Snowflake Challenge promotional banner with image of metallic snowflake and ornaments. Text: Snowflake Challenge January 1-31.


However, this year I'm lucky, in that [community profile] threesentenceficathon is also happening, with some great prompts, and so I have fanworks ready to post! I've grouped all my fills together in an AO3 series, so if I fill more prompts, they can just get added on, but at the moment there are three ficlets posted. The fandoms covered so far are Greek mythology (Hades/Persephone), Peaky Blinders (Ada Shelby), and the Rumpelstiltskin fairytale (Rumpelstiltskin/Miller's Daughter). There are a couple of other prompts that caught my eye, so I'll see how many more I can add.

[community profile] halfamoon will be running again this February. This is a fourteen-day fest focusing on female characters. Every two days, there's a new prompt, for which you can create fanworks, or share recs for other people's work that fits the prompt. The prompts list for this year is out in advance.

The detailed nomination statistics for last year's Hugo Awards have
finally been made public, and there seem to be a lot of problems (most notably, a number of works or individuals that were eligible for shortlisting and achieved the requisite number of votes to be shortlisted appear to have been arbitrarily ruled ineligible for reasons that are as yet unclear). Cora Buhlert's blog post is probably the best starting point, as it's a good summary in its own right, and links to pretty much every other piece of discussion of the matter.

Reading-wise it's been a slow week. I've only finished one book, The Last Sun (K.D. Edwards), the first in a series of urban fantasy books in which characters with supernatural abilities have washed up on the shores of Earth after their home in Atlantis was destroyed, and in which powerful, aristocratic Houses (based on tarot — the Tower, the Lovers, the Hermit and so on) vie for control of their new, closed community. Our point-of-view character is the last remaining survivor of the destroyed Sun House, and he works as a sort of supernatural private detective for hire.

It's incredibly tropey, everyone has incredibly angsty backstories and unresolved trauma, and in general I found it fun in an escapist sort of way. I wish more of the secondary characters were women, and that we got to know more of the interior lives of the female characters we do meet, but hopefully there's more of that as the series progresses — it's not going to stop me reading future books, nor indeed the free short stories that the author has posted online. In fact, once I've finished catching up on Dreamwidth, I'm going to read any of those that fit chronologically with what I've read so far.
dolorosa_12: (tscc)
Today's post is going to be a quick one — just answering the current [community profile] snowflake_challenge prompt, which is: In your own space, rec three fanworks that you did not create.

Snowflake Challenge promotional banner with image of three snowmen and two robins with snowflakes. Text: Snowflake Challenge January 1-31.

I'm going to use this post to rec three of my favourite fanvids of all time. By way of preamble, I'll clarify a couple of things relating to how I define 'favourite.' Firstly, I'm not an avid consumer of fanvids, and far less a creator (as I said in a previous post, any kind of fanwork involving graphics is basically like witchcraft to me) — I tend to engage with fanvids when someone I know has either a) created or recced a fanvid and b) it's in a fandom with which I'm familiar, so my engagement is somewhat haphazard. I have pretty clear things that I look for in a fanvid: I have to like the music, I have to feel that it fits well with the focal character(s) and the story being told in the vid (or is so outrageously incongruous that that's basically the point), and the editing has to be smooth enough that errors are unnoticable to my untrained eye. I also personally dislike fanvids that have dialogue from the source spliced into the video — I want it to tell a complete story with music and images, without needing source dialogue as a scaffold.

There are some well-known, beloved fanvids that get recced to everyone wanting to know the greatest hits of the medium, and I like them a lot, but I've steered clear of them here as most people will have had them recced before.

With that in mind, here is my totally biased, subjective, created-from-a-place-of-complete-ignorance list of favourite three fanvids:

Vid recs )

Do you have any particular things you like in fanvids? Do you have any particular favourites?
dolorosa_12: (emily)
In your own space, talk about your favorite trope, cliché, kink, motif, or theme.

Snowflake Challenge promotional banner with image of crystal snowflakes on green leaves on a dark blue background. Text: Snowflake Challenge January 1-31.

Why limit myself to just one? Here is a non-exhaustive list of stuff I like — sometimes just in fanfic, sometimes just in professional writing, sometimes in both. I think the boundaries between tropes, clichés, kinks and so on can sometimes be a bit blurred, so I'm not going to define any of these narrative/character/relationship preferences as one thing or the other.

  • Enemies/antagonists to friends/allies/lovers is something I will eat up with a spoon. I like it in both its variants — where the characters differ in their approaches, methods or aims but are essentially both fundamentally correct, and where one character is clearly in the right and the other one is at best wrong and at worst straight up evil. I guess in essence I like characters being thrown into situations that force them to reevaluate their core understanding of themselves, and these kinds of relationships often do this.


  • Hurt/comfort is one of my favourite things to read, although I don't like it so much in visual media. Like many people in my Dreamwidth circle, I tend to have firm preferences for which character is hurt, and which one is doing the comforting. I sometimes like this trope in combination with the enemies-to-lovers one, in which one character comforts the other for hurt that they themselves inflicted, but it depends on the fandom.


  • I don't really know how to describe this one succinctly, but basically stories about women enduring awful stuff at the hands of men in patriarchal societies, and finding a sense of community and common purpose within these terrible situations. Survival is the important thing here — I don't need the women to escape or overthrow their oppressors within the narrative, but they need to be able to find ways to survive and find meaning and connection with each other in the margins. Examples of what I'm talking about include Mad Max: Fury Road, Pat Barker's The Silence of the Girls, and stuff like that.


  • Human/non-human pairings where the human character stays mortal, the non-human character remains a vampire/demon/otherworldly fairy/etc etc, but they both transform each other in other ways. The irreconcilable differences are the thing, here — I don't want them reconciled by the vampire's human girlfriend becoming a vampire herself, or the god who falls in love with a human giving up immortality for love.


  • Stories in which the ordinary work of everyday life is made magical and heroic, especially tasks typically perceived (whether correctly or incorrectly) as having been 'women's work' in a historical setting. I particularly like this if the story hinges on mentor relationships between girls and women, relationships between sisters (or girls who are raised in a situation that is essentially like being sisters), mothers and daughters, and so on.


  • Stories about characters who were made to feel frightened once, reacted (to put it mildly) extremely poorly to this, and decided the only reasonable course of action is to warp the world around them such that they will never, never be made to feel fear again — even if they burn down the world and all their relationships with it. An example of this type of story is the Peaky Blinders tv series.


  • Stories that are fundamentally dystopian (or ushering in something that will result in utter destruction of everything the characters valued — they just can't see it yet or can't do anything to stop it), in which the characters do their best to carve out meaning and joy, build community and remain essentially true to their own ethics, even if their efforts are marginal at best and are like twigs attempting to shore up a torrential flood. Examples of this type of story are — in different ways — The Lions of Al-Rassan (Guy Gavriel Kay), Hambly's Benjamin January mysteries, and the Babylon BerlinTV series.


  • Do you have any specific narrative/character preferences?
    dolorosa_12: (ada shelby)
    It's blowing a gale in my part of the world, which seems a suitably stormy end to the working week. I hope everyone else in the UK is safe from the two named storms which have swept through over the past few days!

    This week's Friday open thread is in honour of the fact that I've been rewatching the first season of Peaky Blinders. Although I will watch the forthcoming sixth (and final) season when it airs, in general I have no desire to rewatch any season other than the first. I feel the show worked best when its ruthless, ambitious, traumatised Birmingham gangsters were fighting for what felt like proposterously small things: control over a few streets and warehouses, the right to operate their gambling business legitimately at one racecourse — and as they sought more and more grandiose things over the subsequent seasons, things became increasingly ridiculous. There's still plenty to enjoy, but Peaky Blinders is one of the many shows that I feel has a perfect first season, and could have said everything it needed to say in those six episodes.

    So my question to you is this: what TV shows do you feel are perfect at one season, and then could (or should) have ended?

    Other than Peaky Blinders, I feel this applies to Veronica Mars, the BBC Musketeers and Robin Hood shows (both of which are very silly, but were the correct kind of silly in their first seasons), and the original British series of Broadchurch. I feel that popular British miniseries are particularly at risk of this — showrunners get the go-ahead to produce six episodes, they make something that ends up being a huge hit, and then people want them to make more, when the original show was complete in and of itself.

    Thank you also to everyone who left comments on my last post. I'm not going to go back and respond directly, but I'm grateful for your kindness.
    dolorosa_12: (fever ray)
    Day Fifteen of the fandom meme is a prompt very much to my taste, because I am all about the song lyrics:

    O: Choose a song at random, what ship does it remind you of?

    I have been listening to a lot of Promenade Cinema at the moment, so why not have a song selected at random from their discography?

    I've chosen 'The Quiet Silently Wait':

    I keep a candle for the nights when the lights go out.
    I watch the sun depart & leave the sky to darkness.
    Beneath the windows are the faces without features,
    And in the mirror, the shadows drawing closer.
    As the candle goes out,
    They give you nothing.
    Under street lights in the rain,
    I am dissolving, I am dissolving.
    As the quiet silently wait, see them smile.


    To be honest, this could be any of my ships: I tend to like melodramatic 'us against the world' ships where at least one half of them is leading a revolution, usually against the beings/rulers/social class to which the other half of the ship belongs.

    But in the instant where I first read the lyrics, the first ship that popped into my head was Tommy Shelby/Grace Burgess from Peaky Blinders. He's a 1920s Birmingham gangster, traumatised by his experiences in World War I and a childhood of the quiet violence that comes with extreme poverty, who reacted to his experiences by doing everything he could to insulate himself against the possibility of ever feeling fear again. (In his case this means terrorising everyone else and acquiring as much money as possible.) She is the spy sent to infiltrate his operation. (Together they fight do crime!) They find happiness, occasionally, in quiet moments, in the dark, in the spaces between. But, mostly, they're doomed to tragedy — the fatal flaw for Tommy, for anyone whose greatest horror is the thought of ever being afraid again, is caring about other people. If you care about a single other person it is impossible to live without fear.

    They're messed up, they hurt themselves and each other, and I still love them anyway.

    The other days )
    dolorosa_12: (amelie)
    (Not because nothing has happened, but simply because I do not have the energy to keep up.)

    I don't normally log TV viewing in the way I do books read, but I've watched so many shows recently — beloved old favourites finishing forever, perennials returning for another batch of episodes, new things popping up on my radar — that I felt I had to write a little bit about each one.

    TV shows behind the cut )

    Matthias has gone out to meet up with a friend from the US who was a visiting scholar in our former academic department in the year I did my MPhil, but I decided to stay at home and just rest a bit. I've spent the morning doing yoga, housework, and reading every Vasya/Morozko fic (in the Winternight trilogy fandom) on Ao3. This evening is the alumni event for my old department (this weekend is alumni weekend in Cambridge), so I'll head out to be sociable in a few hours' time. Tomorrow will be more socialising — spending the afternoon in Ely with [personal profile] notasapleasure, her husband, and a couple of their friends. All in all, it should be a good weekend.
    dolorosa_12: (ada shelby)
    I'm at home today, because this evening (too early to be able to get there after finishing work), I am going to be fulfilling a lifelong ambition and seeing Massive Attack live in concert! And not just any concert — an anniversary show focusing on the music from their Mezzanine album. Seeing my favourite band of all time perform the songs from my favourite album of all time is just so amazing. Fifteen-year-old Ronni would be astonished at her good fortune!

    As a result of being home, I've been trundling back through my reading page, and come bearing links.

    First up, if you, like me, recently watched Russian Doll and loved it, [personal profile] rachelmanija has set up a discussion post here. Spoilers are allowed in the comments.

    I really shouldn't sign up for multiple exchanges simultaneously, but the new [community profile] peakyblindersficexchange sounds right up my alley. I love the show, and definitely think we need more fic for this fandom. If you're interested in participating, the various deadlines are there in the Dreamwidth account. It seems to use OR matching, and matches on relationships rather than characters, and my impression is that if you don't see your chosen relationship(s) in the tagset you can request that they be added. Assignments are a 500-word minimum.

    If you, like me, adore the 'absolute unit' meme (basically, square sheep), you will also adore [personal profile] bironic's latest fanvid. I've embedded the Ao3 link below.

    Squares Are Everywhere (90 words) by bironic
    Chapters: 1/1
    Fandom: "Absolute unit" livestock meme
    Rating: General Audiences
    Warnings: No Archive Warnings Apply
    Characters: cows - Character, Sheep - Character, Pigs - Character
    Additional Tags: Memes, Humor, archival images, Art, Video, Embedded Video, Fanvids
    Series: Part 58 of vids by bironic
    Summary:

    "In awe at the size of this lad. Absolute unit." Or: improbably shaped livestock.



    This feels peak millennial, but I discovered this poem, 'The Ex-Girlfriends Are Back From the Wilderness' by Hera Lindsay Bird via Florence Welch's Instagram account, and I kind of love it. like too much Persephone and not enough underworld…/wearing nothing but an arts degree. I feel seen.

    I hope you're all having wonderful Fridays.
    dolorosa_12: (flight of the conchords)
    I know it's a bit late, but I was in Germany without my laptop, and then flat out at work this week, so this is the first chance I've had to post a bunch of links to Yuletide fics. This was my first year participating, and it all went a lot better than I was expecting.

    [archiveofourown.org profile] kmo wrote Ouroboros (Wise Child series, Juniper and Wise Child, gen) for me.

    I wrote one gift fic and one treat, and both were well received, considering they were for very tiny fandoms.

    Beyond the Ninth Wave (Wise Child series, gen). After being driven from their home by Fillan Priest, Juniper and Wise Child adjust to a new life on Finbar's ship.

    Reverberations (Romanitas trilogy, gen). Several years after the events of Savage City, Una, Makaria and Noriko meet. All three feel the effects of the war and slave rebellion in different ways.

    I really enjoyed many of the fics in the collection this year. Here are some of my particular favourites:

    Far from the Blessed Isles by [archiveofourown.org profile] Miss_M (Greek Mythology; Penelope, Circe, Nausicaa, Calypso; T). The dead talked a lot among themselves, there being little else for them to do. Conversation tended to run along circular paths. I love this because it's absolutely unflinching in how it reveals what a raw deal women got in Greek mythology, but still allows these women a space to express their anger about the injustice they experienced.

    The Banishing of Winter by [archiveofourown.org profile] Skeiler (Jonathan Strange and Mr Norrell; John Uskglass; G). In 1202, The Raven King "quarreled with Winter, and banished it from his kingdom so that it enjoyed four years of continual Summer." This is that story. This is absolutely fabulous, managing to retain the whimsical, scholarly tone of the book while also perfectly capturing the spirit of a folk tale.

    The Price of Honor by [archiveofourown.org profile] keilexandra (The Lions of Al-Rassan; Rodrigo Belmonte/Jehane bet Ishak/Ammar ibn Khairan; M). Jehane and Ammar try to make a life for themselves in Muwardi-occupied Al-Rassan. Some things, a very few of them, may be more important than honor. What-if? AU. Warning for implied sexual violence. If this isn't what happened, this is what should have happened. I particularly appreciate that the author managed to resolve the love triangle in a way that still included Rodrigo's wife, Miranda.

    Robbing Peter by [archiveofourown.org profile] cantstoptemplarswillgetme (The Musketeers; d'Artagnan, Porthos, Athos, Aramis, Constance; T). There's no summary, but this is a very silly heist fic, and I thoroughly enjoyed it.

    Somebody's Waiting for Someone by [archiveofourown.org profile] stellatundra (Peaky Blinders; Ada Shelby/Freddie Thorne; T). It might be Tommy he goes to France for, but it’s Ada he comes home for. A Freddie-centric fic examining his relationship with various Shelbys.

    I also loved almost all the Clarke/Bellamy/Raven fics for The 100 fandom.
    dolorosa_12: (what's left? me)
    Day Five: Favorite female character on a male-driven show

    Polly Shelby in Peaky Blinders

    Peaky Blinders, is, at its heart, a show about male violence. It's about violent men, traumatised by the violence of the Western Front in World War I, returning home and unable to deal with their PTSD. It's about a world that has never offerred these men any option but to be violent, and the uses to which they put that violence. It's about clever, violent men harnessing the violence of others to their own ends. It's about a community accepting a level of male violence as the price it pays in protection from other violent men, men outside the community.

    It's also a show about how the women around these violent men manage their violence.

    Polly Shelby is the ageing matriarch of the Shelby clan, a multigenerational family of racetrack gangsters who have occupied the role of de facto rulers of the 1920s Birmingham slums for decades. They lead a gang known as the Peaky Blinders. As in other occupations, when the young men went off to war, Polly stepped up to run their operations. She and the other Shelby women actually ran things perfectly well on their own, and one of the minor subthreads of the first season dealt with how Polly and her nephew Tommy renegotiated their respective roles within the Shelby leadership after his return to Birmingham. Since Tommy's return she has alternated between an admiring enforcer of his plans within the family and the Peaky Blinders as a whole, a sounding board for Tommy to speak to behind closed doors, and a restraining voice of caution whose keen sense of self-preservation sometimes wars with Tommy's grand vision. In spite of these various conflicts, Polly remains talented at manipulating and directing the various nephews, cousins and friends within the Peaky Blinders, and it's in her story that we see most clearly the other side of the show's thematic coin: Peaky Blinders is about male violence, but it's also about women's responses to that violence. Polly's preference is to turn that violence outward, using it as a weapon to protect her position in the community and keep that community reasonably harmonious.

    In the first season, Polly frequently acted behind the scenes to get things done, either because she saw things Tommy didn't notice, and dealt with them before they became a problem, or because she was trying to spare him from having to make personally difficult choices. This desire to act alone frequently put Polly in conflict with Tommy, even though this was a trait he shared. Polly is blessed with a razor-sharp ability to read people and come to the correct conclusions regarding their actions, choices and the consequences thereof. However, the second season is showing that she has some significant blind spots, and, most importantly, that the only person she can't read is herself. I'll be very interested to see where her story ends up.

    The other days )
    dolorosa_12: (emily hanna)
    I wrote a review on my Wordpress blog about Peaky Blinders, a gangster miniseries set in Birmingham in 1919.

    That’s not to say there aren’t tensions. The young Shelby men have returned, traumatized, from the battlefields of World War I, only to find that the women – shrewd, tough-as-nails Aunt Polly, and angry, romantic Ada – have been running things just fine, if not better, on their own. Tommy Shelby, who views himself as the gang’s de facto leader, has to reconcile his own grand vision for the Peaky Blinders with the more limited, but safer, scope planned by his aunt.

    At the same time, the gang relies on its ability to control the shifting network of alliances of the streets, contending with IRA cells, communist agitators attempting to unionize the factory workers, Traveller families who control the racetrack, Chinese textile workers who moonlight as opium den operators, and, one of my favourite characters, an itinerant fire-and-brimstone street-preacher played by Benjamin Zephaniah. It’s a complicated balancing act of carrot and stick, and when it works, it works because the various players have understood correctly the psychology, needs and fears of their opposite numbers.


    The review's a bit late - the first season aired some months ago - but if my description piques your interest, it might be worth catching up, as there aren't that many episodes, and the new season is due to air soon.

    This is one of my favourite times of the year, because IT'S EUROVISION TIME! I have a deep and daggy love of Eurovision, but luckily, so do my partner Matthias, and many of our friends. This time last year, we had a Eurovision party, but we were unable to do the same this time around, as most of our Eurovision-loving friends were away. Our friend B did come over, and we had a great time snarkily deconstructing all the acts. My greatest triumph of the evening? Inventing the Tumblr tag 'erotic milk-churning' to describe the Polish act. Honestly, it has to be seen to be believed. I was very happy with the act that eventually won, and a good time was had by all.

    ETA: I made a new mix on 8tracks. It's called 'Love Will Tear Us Apart, Again and Again and Again', and consists of the best cover versions of 'Love Will Tear Us Apart', as well as the original. Because I'm cool like that. (Bizarre story from my past: one night, my dad and I did nothing but listen to every cover version of this song, drink red wine and generally work each other up into such a frenzy of maudlin feelings that we both ended up crying our eyes out. Good times, 2007. Good times.)


    Love Will Tear Us Apart, Again and Again and Again from dolorosa_12 on 8tracks Radio.

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